1 00:00:07,080 --> 00:00:10,309 In this episode, we begin our search for patterns in the game 2 00:00:10,309 --> 00:00:12,129 of framing and reframing. 3 00:00:12,580 --> 00:00:15,680 Let’s start straight away with an example. 4 00:00:15,690 --> 00:00:18,160 Two local politicians are having a disagreement. 5 00:00:18,160 --> 00:00:24,770 The right-wing politician wants to abolish several local tax benefits for the unemployed. 6 00:00:24,770 --> 00:00:28,170 The left-wing politician responds as follows: 7 00:00:28,700 --> 00:00:32,840 ‘This measure will hit people over 55 the hardest. 8 00:00:33,120 --> 00:00:38,200 Some of them have become unemployed after working for 30 years or more. 9 00:00:38,210 --> 00:00:41,690 It is almost impossible for them to find work again, 10 00:00:41,690 --> 00:00:46,810 because many companies don’t want to hire people over 55. 11 00:00:48,080 --> 00:00:52,180 These people have had their jobs taken away from them, 12 00:00:52,190 --> 00:00:58,430 and now you are proposing to take away their tax benefits as well. 13 00:00:59,070 --> 00:01:03,690 For many of them, this could mean the difference between being 14 00:01:03,690 --> 00:01:08,110 able to pay their mortgage or losing their home. 15 00:01:08,110 --> 00:01:13,070 And if you take that away from them, you’ll take away their dignity as well. 16 00:01:13,540 --> 00:01:18,500 Your proposal is therefore extremely antisocial.’ 17 00:01:19,090 --> 00:01:23,090 Your feelings on this issue obviously depend on your political views, 18 00:01:23,090 --> 00:01:26,330 but something else is going on in this example as well. 19 00:01:26,330 --> 00:01:30,830 The left-wing politician is trying to appeal to our emotions. 20 00:01:30,830 --> 00:01:35,430 Specifically our compassion for the older unemployed. 21 00:01:35,430 --> 00:01:39,430 Once she has achieved this, it turns out that there are three characters 22 00:01:39,430 --> 00:01:40,530 in her frame: 23 00:01:40,530 --> 00:01:46,920 a victim (the older unemployed), a villain (the right-wing politician) and 24 00:01:46,920 --> 00:01:52,200 a hero (the left-wing politician who stands up for the victim). 25 00:01:52,860 --> 00:01:57,240 This bring us to the first model in the game of framing and reframing: 26 00:01:57,250 --> 00:01:59,520 the Victim, Villain, 27 00:01:59,520 --> 00:02:00,909 Hero model. 28 00:02:00,909 --> 00:02:02,470 In this case, the trigger 29 00:02:02,470 --> 00:02:06,890 the device that activates the model is emotion. 30 00:02:06,890 --> 00:02:09,420 We expect three things from a hero. 31 00:02:09,420 --> 00:02:12,560 First, he must adopt a clear moral position in which 32 00:02:12,560 --> 00:02:16,819 the victim is the good guy and the villain is the bad guy. 33 00:02:16,819 --> 00:02:19,230 Second, he must take action. 34 00:02:19,230 --> 00:02:22,780 In other words, he must go after the villain and protect the 35 00:02:22,780 --> 00:02:23,530 victim. 36 00:02:23,530 --> 00:02:26,510 Thirdly, he must act swiftly. 37 00:02:26,510 --> 00:02:32,120 When we’re emotional, we want action to be taken as soon as possible. 38 00:02:32,120 --> 00:02:37,150 Our feelings are so strong that we won’t tolerate any delay. 39 00:02:37,150 --> 00:02:42,030 The greater our outrage, the more susceptible we are to this frame. 40 00:02:42,030 --> 00:02:46,420 Think about debates about crime or serious environmental pollution, 41 00:02:46,420 --> 00:02:49,900 which often involve an actual victim and an actual villain 42 00:02:49,900 --> 00:02:52,990 a criminal or a major polluter. 43 00:02:52,990 --> 00:02:57,760 As our emotional involvement increases, so does our belief that somebody should go 44 00:02:57,760 --> 00:02:59,349 after the villain. 45 00:02:59,349 --> 00:03:03,480 In these circumstances, any politician who coldly reasons that crime 46 00:03:03,480 --> 00:03:07,890 is caused by poverty or that environmental accidents will just happen, 47 00:03:07,890 --> 00:03:10,880 does not take on the role of the hero. 48 00:03:10,880 --> 00:03:14,270 This leaves them vulnerable to attack. 49 00:03:14,270 --> 00:03:17,560 Now suppose that you have been framed as a villain. 50 00:03:17,560 --> 00:03:20,349 How should you respond? 51 00:03:20,349 --> 00:03:21,620 One thing is clear: 52 00:03:21,620 --> 00:03:25,040 if you step into this frame you are taking a big risk. 53 00:03:25,040 --> 00:03:28,709 Let’s say you claim that older people can find work. 54 00:03:28,709 --> 00:03:31,520 That there are companies that are willing to hire them. 55 00:03:31,520 --> 00:03:36,709 There is a good chance that people will continue to regard you as a villain who refuses to 56 00:03:36,709 --> 00:03:39,970 acknowledge how hard it is to find work. 57 00:03:39,970 --> 00:03:46,739 Reframing is the act of telling a different story with a different division of roles. 58 00:03:46,739 --> 00:03:49,849 This is how our right wing politician might respond. 59 00:03:49,849 --> 00:03:54,590 ‘We all know that our city has several public playgrounds. 60 00:03:54,590 --> 00:03:57,550 These playgrounds, which are incredibly important to families 61 00:03:57,550 --> 00:04:00,599 with young children, are run by volunteers. 62 00:04:00,599 --> 00:04:04,900 Unfortunately, I find myself forced to close some of these 63 00:04:04,900 --> 00:04:08,739 playgrounds due to a lack of volunteers. 64 00:04:08,739 --> 00:04:13,349 One of the playgrounds facing closure is the popular playground on Church Street, 65 00:04:13,349 --> 00:04:18,489 despite the fact that there are seven people who are unemployed and receiving benefits 66 00:04:18,489 --> 00:04:20,459 living on this street. 67 00:04:20,459 --> 00:04:23,559 And this is not the only example. 68 00:04:23,559 --> 00:04:26,990 Many of our local services rely on volunteers. 69 00:04:26,990 --> 00:04:31,449 And although there are many unemployed people who receive benefits, 70 00:04:31,449 --> 00:04:35,159 there never seem to be enough volunteers. 71 00:04:35,159 --> 00:04:39,189 Never.’ What just happened? 72 00:04:39,189 --> 00:04:42,509 The right-wing politician is also talking about benefits, 73 00:04:42,509 --> 00:04:45,689 but the roles have been reversed. 74 00:04:45,689 --> 00:04:49,919 The playgrounds and the families using them are now the victims. 75 00:04:49,919 --> 00:04:54,830 The villains are the people who refuse to volunteer to keep these playgrounds open, 76 00:04:54,830 --> 00:04:58,210 even though they are receiving government benefits. 77 00:04:58,210 --> 00:05:04,039 The hero is the right-wing politician who dares to raise this issue. 78 00:05:04,039 --> 00:05:08,289 This is an emotional topic for anyone who knows the playground on Church Street. 79 00:05:08,289 --> 00:05:13,830 Other people might also consider it an outrage that playgrounds have to be closed because 80 00:05:13,830 --> 00:05:20,119 people on government benefits refuse to volunteer for a few hours a week. 81 00:05:20,119 --> 00:05:26,629 The victim/villain/hero model is the first model in the game of framing and reframing. 82 00:05:26,629 --> 00:05:30,249 Many frames are based on this model. 83 00:05:30,249 --> 00:05:33,999 In conclusion, you should never step into a frame in which 84 00:05:33,999 --> 00:05:36,089 you are the villain. 85 00:05:36,089 --> 00:05:41,210 If your opponent is framing you as the villain, your best option is to reframe the debate 86 00:05:41,210 --> 00:05:46,860 by presenting a different version of the same reality and changing the roles so that you 87 00:05:46,860 --> 00:05:50,020 become the hero. 88 00:05:50,020 --> 00:05:52,869 Will you win if you do this? 89 00:05:52,869 --> 00:05:56,559 Not necessarily, whether you win or lose depends upon the opinion 90 00:05:56,559 --> 00:05:57,909 of the listeners. 91 00:05:57,909 --> 00:06:02,259 But at least you have made clear that there are different perspectives on this problem, 92 00:06:02,259 --> 00:06:06,769 and that there are no unambiguous victims, villains and heroes.